Mary Stewart, Nine Coaches Waiting (Morrow, 1959)
Mary Stewart, The Ivy Tree (Morrow, 1962)
Mary Stewart, The Moon-Spinners (Morrow, 1963)
Mary Stewart, This Rough Magic (Morrow, 1964)
It’s always a great pleasure to discover an author whose books have somehow passed you by, especially if there are plenty of them. Such is the case with Mary Stewart, whose romantic suspense novels just never swam into my ken until now.
Fortunately, good books never go out of date. This summer I read four Stewarts in quick succession and found them effortlessly readable yet refreshingly literate. With exotic settings, independent heroines, and tricky plots, they make perfect vacation reading. And in honor of Mary Stewart Reading Week, hosted by Gudrun’s Tights, here are some thoughts that I hope will interest those who haven’t yet discovered this wonderful author, as well as those who know and love her.
Each of these four books starts with a young woman, usually alone, making a journey to some beautiful, rather remote spot (Corfu, Northumberland, Alpine France, Crete) where she expects to settle into a holiday or a new job. She then finds that there is something unsavory going on (smuggling, treason, identity theft, attempted murder, kidnapping) and becomes involved in trying to defeat the villain(s). Serious dangers to life and limb ensue, as she tries to rescue the victim/find the treasure/puzzle out the crime, but naturally she comes through in the end, with a new love interest with whom she has made a connection in the midst of all the mayhem.
While the novels do follow a certain pattern, they are not formulaic. Each one is written in a distinctive voice and with precise attention to detail, which makes you feel as though you have really been to the places she describes. They also are pleasantly literary: This Rough Magic centers around an old house inhabited by a Shakespearean actor obsessed with The Tempest; Nine Coaches Waiting takes its title and organization from a quotation from The Revengers’ Tragedy; The Ivy Tree is named after an old song and has a strain of ancient folklore running through it. And while they are certainly suspenseful, they are not gratuitously violent or exploitative. Sympathetic characters and intelligently constructed plots appeal to our hearts and minds, as well as our wish to be thrilled and excited. These books create miniature worlds that live in our imaginations after the entertainment has finished, and leave us satisfied rather than empty.
The main quibble I have with Stewart is that I wish she would develop her romances more gradually. There tends to be a “boom” moment of falling in love without much apparent reason behind it, based on an acquaintance of mere days or even hours. I found this element required more suspension of disbelief than did some of the improbable and extreme situations.
Still, I enjoyed so much about her books that this was a minor issue for me. Now, for Mary Stewart Reading Week, I need to pick which novel to read next. I’m thinking of Touch Not the Cat (telepathic romance on an English estate), My Brother Michael (“a mysterious car journey to Delphi in the company of a charming but quietly determined Englishman”), or Airs Above the Ground (Vienna and Lipizzaner horses). Any recommendations?
Review copy source: Print books from library