Miguel de Cervantes, Don Quixote, Part II (1615)
Though I did not stick very well to my chapter-a-day intention, by reading in fits and starts I have finished Don Quixote. When I last checked in, I was in the middle of Part II; Don Quixote and Sancho Panza were being deceived by their aristocratic hosts, who wanted to encourage them in their role as knight errant and squire. This went on for a good while longer, and included Don Quixote having the opportunity to defend his virtue against a lovely young admirer, along with Sancho finally getting to be the governor of his insula.
The latter was one of the most successfully conceived episodes, I thought, with Sancho showing surprising acumen in his role, yet soon wisely deciding the responsibility of governing is not for him (largely because the doctor in charge of the governor’s health won’t let him eat anything he likes). He goes back to serving his master and they have a few more adventures which end in Don Quixote being sent back to his village, where he comes into his right mind at last.
If that sounds a bit anticlimactic, it is. Overall, I found the pacing of this part of the novel decidedly odd. Where the first part suffered from layers of interpolated tales, this part was full of false starts and red herrings, plot threads that Cervantes seemed to lose interest in and quickly abandon. For example, in one chapter Sancho gets stuck in a cave, which would seem to promise some trials or other escapades … but in the next chapter Don Quixote hears him calling and he is released without further ado. Ho, hum.
The promise of playing with multiple realities and points of view also dissipated. There were a few piquant observations — for example that the Duke and Duchess are as mad as their knightly guest, for taking so much trouble to deceive him — but otherwise I had the sense the author was getting bored and just wanting to wrap up. After a peculiar meeting with a man who has supposedly met the “other” Don Quixote and Sancho Panza from the pirated second half of the tale (to which Cervantes is constantly referring in this part, as well as to the “real” version by a Moorish author), the Don just goes home and — dies? Perhaps this was an attempt to put an end to further literary piracy, but for me it was something of a letdown.
And what about Dulcinea? After being the subject of so much of the action and conversation within the novel, and after Sancho’s finally pretending to give himself the blows supposedly needed to release her from her enchantment, she never appears — which is logical enough, as she doesn’t exist. And yet I wish she could have been more than a figment, that there could have been some interesting clash with the reality of an actual woman. But as usual, it’s only Sancho and his wife who provide us with anything close to a real-life relationship in the novel.
This is all very postmodern, and I’m sure there is much to be drawn from the subverting of my narrative expectations, but in the end I was left with a sense of disappointment. Maybe another read-through, now that I have the overall picture, would grant me more insight into this famous story. But for now, I’m going to move onto other quests.
Thanks to Emma of Words and Peace for reading along with me. You helped me to get going, and I hope you reach your own goal!